NEW YORK — Standing in advanced of artisan Andrei Molodkin’s “Oil Revolution,” an accession featuring skulls encased in acrylic blocks and affiliated to continued tubes abounding with a aphotic liquid, Peter Marino cuts an agitative bulk in head-to-toe atramentous leather. It’s adamantine to top such a cadaverous assignment of art, but Marino manages to audacious “Oil” with his 360-degree biker accoutrement that accommodate a atramentous beef shirt, aphotic sunglasses, covering biker’s hat, tattoos and Goth jewelry.
The artist of best for actualization and affluence retailers, Marino, 61, is a abstraction in contrasts. Known for the accumulating of Renaissance and Baroque brownish carve that fills his Manhattan home, he additionally has an arrangement of anxious art by Vik Muniz and Anselm Reyle alternating through his office. Marino speaks knowledgeably on such capacity as art history and Middle Eastern politics, but mixes in words like “dude” and “ginormous” in a blatant mash-up of a able British emphasis and the adroit argot of his built-in Bayside, N.Y. Peter from the block is additionally Pedro from Milan, as in his third-person remark, “A lot of what Pedro does isn’t actual glamorous.”
In an industry with the aggregate absorption bulk of a bake-apple fly, Marino has enjoyed an improbably continued run. Known for creating avant-garde retail spaces with
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