Illustration by Fumio Obata
It takes a assured biographer to activate a book with a continued altercation of the change of cardboard clips, advance pins, and adhering accouterments afore alike affecting on ier capacity like glue, adhering tape, and pencil erasers. Fortunately, James Ward, the columnist of the arbitrary history of jotter The Perfection of the Cardboard Clip, has a allowance for isolating the affectionate of odd detail that counteracts the animal eye’s addiction to coat over.
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Did you know, for instance, that while Carter Hi-Liters are accessible in a advanced ambit of colors, yellows and pinks anniversary for about 85 percent of their sales? That highlighter pens owe their actuality to the Day-Glo paints and dyes that accustomed U.S. planes to fly night missions from aircraft carriers during Apple War II? That during the Nazi activity Norwegians wore cardboard clips as a attribute of resistance, or that the British band architect Sellotape makes bisected its anniversary sales during the three-month countdown to Christmas?
The history of jotter is the adventure of animal ingenuity, of camp geniuses who looked at a artefact that served its purpose altogether abundantly and saw agency to advance aloft it. Ward writes with abundant amore of the entrepreneurs who risked their fortunes on dreams that ability assume prosaic: files stored alongside rather than vertically, or
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