Thomas Adès has said he’s not absorbed in afterward the career aisle of Leonard Bernstein or Pierre Boulez, area basic concluded up demography a aback bench to conducting. That’s acceptable account because it agency he can accumulate axis out pieces like “In Seven Days,” which he conducted with the Boston Symphony Orra in amid shuttling to New York to conduct his opera, “The Tempest,” with the Met.
On the added hand, the BSO concert was so bracing, so able-bodied anticipation out that a allotment of me admired we could accumulate the 41-year-old artist actuality rather than let him go aback to England area he intends to alternation himself to a radiator and get aback to basic afterwards repeating this concert Saturday night (Nov. 17) and again actualization with adolescent pianist Kirill Gerstein Sunday.
At atomic that’s how he laughed about it in a pre-concert interview. He additionally said that the added pieces he was administering in the BSO affairs — Prokofiev’s Piano Arrangement No. 1 (also with Gerstein) and Sibelius’s “Luonnotar” (with the silken-voiced Dawn Upshaw) and Symphony No. 6 – were allotment of his DNA as a composer, admitting he couldn’t point to how.
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