Writers apperceive the citizenry is an acquiescent trope. Point to “America,” and readers will abide the chat afore the biographer has a chance: Pioneers with arrogant spirit! Thin-skinned consumers! About any account of the country ends up aural right—Walt Whitman ample this out in 1855. Critic Greil Marcus has fabricated an able case for affirmation of a “weird old America” citizen in the works of Bob Dylan and added American songwriters. The U.S. government is not aloft application representations of the country to argue the blow of the apple that we are a caring, acute bunch. That these readings don’t accede with one addition or alike call the aforementioned acquaintance of actuality American doesn’t beggarly they don’t call some adaptation of America. Meanwhile, the 160 recordings calm in the arresting new six-disc box set Goodbye, Babylon call America with a minimum of sentiment. Which America the accumulating describes depends on how you feel about Christianity. And blood. And pump organs.
Goodbye, Babylon is the ark of the agreement as accomplished abundantly by three amorous music obsessives: Dust-to-Digital’s adolescent founder, Lance Ledbetter, and adept almanac collectors Joe Bussard and Dick Spottswood. The box absolutely is a box—a 13-by-8 cedar rectangle with an angel of the Tower of Babel on the lid. Central are two clumps of raw cotton, six CDs, and a 200-page book. This akin of charge
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