Otis Rush, one of the beat guitarists of the Chicago dejection scene, died Saturday from complications from a achievement he suffered in 2003. He was 84.
Rush’s wife, Masaki Rush, accepted her husband’s afterlife on his website. A agenda read, “Known as a key artist of the Chicago ‘West Side Sound’ Rush exemplified the avant-garde accessory key burghal dejection appearance with his slashing, amplified jazz-influenced guitar playing, high-strained amorous vocals and abetment by a abounding horn section. Rush’s aboriginal recording in 1956 on Cobra Records ‘I Can’t Quit You Baby’ accomplished Number on the Billboard R&B Charts and catapulted him to all-embracing acclaim. He went on to almanac a archive of music that contains abounding songs that are now advised dejection classics.”
Rush became a basic of the Chicago arena in the backward Fifties and aboriginal Sixties, partnering aboriginal with Cobra Records, which was additionally home to artists like Magic Sam and Buddy Guy. Their booty on the dejection would prove to be a adumbration for a bearing of artists to follow, while Rush would become a totem for endless bedrock guitarists (he was placed at Number 53 on Rolling Stone‘s account of the 100 Greatest Guitarists). Notably, Rush’s signature appearance – long, badly angled addendum – was in allotment a artefact of his different arena approach: A awkward guitarist who played his guitar upside-down, agreement
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