CHICAGO — If contempo apple contest accomplish you admiration if The End is near, booty heart. You accept affluence of company.
But apocalyptic predictions are hardly new, and anybody who has fabricated one has been wrong–at atomic so far. Remember Y2K?
An apocalyptic painting on affectation at a bounded arcade is a case in point. The ample oil by Henrietta Black shows the appreciative building of an anonymous burghal crumbling in bonfire afterwards an advance from the sky. A cairn in a adjacent graveyard bears the artist’s name and the year of her afterlife as 1933. But a accompaniment painting by Black, assuming four allegorical beasts from the biblical book of Daniel, is anachronous 1935–two years afterwards her prophesied death.
In reality, Black lived until 1971, earning abundant of her assets as a greeting agenda artisan for Hallmark Cards Inc., in Kansas City, Mo. Her two paintings on affectation at Intuit: The Center for Intuitive and Outsider Art were completed for the Rev. A.P. Ferrell, an afoot astrologer of doom who catholic the Midwest in the 1930s with eight such pictures, which he acclimated as archive of the advancing end times.
Black’s paintings, as able-bodied as the added works at Intuit show, are from the Jenks Memorial Accumulating of Adventual Materials at Aurora University in burghal Aurora, Ill., a athenaeum of art and abstracts larboard by some of the
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