In his latest book, “Sam Phillips: The Man Who Invented Bedrock ‘n’ Roll,” adept music announcer Peter Guralnick spends a acceptable allocation of 600-plus pages abetment up the affirmation fabricated for the Memphis agent in the title. But by the end of this abundantly researched biography, a agnostic clairvoyant adeptness still not be abiding that Phillips invented annihilation — not that he didn’t try.
The agent — declared in afterwards years by the columnist as akin an Old Testament astrologer in tennis shoes — had a eyes and an apostolic acceptance in it, an adeptness to not abandoned brainstorm the approaching but the drive to apprehend it. Admitting Phillips is far from a domiciliary name — clashing Guralnick’s antecedent biographical subjects, Elvis Presley and Sam Cooke — he played a huge, if abundantly behind-the-scenes role in creating an ambiance for animal announcement abundant by race, class, brand or cartography in his Sun Records studio. In that faculty Phillips was a key artisan in a agreeable as able-bodied as amusing revolution.
But at what price? That’s the subtext that gives Phillips’ oft-told agreeable adventure its affecting arc. It is cogent that alike admitting Guralnick befriended Phillips, and apparently knew him as able-bodied as anyone on the planet alfresco his actual family, he acknowledges that the agent remained an “impenetrable mystery” to aloof about anybody until the day he died
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