The bind of allotment exoteric acrylic for a Victorian home is as old as Victorian homes themselves. ”Many who appetite to do what will be advised in acceptable aftertaste are puzzled to apperceive what colors to use,” the authors of ”Modern Abode Painting” wrote 105 years ago. Little has changed.
Timid traditionalists will consistently accept safe, banal white, of course, but abounding homes congenital in the closing bisected of the 19th Century were checkered marvels, with altered anatomy colors for anniversary attic and capacity anointed in ablaze contrast.
Alas, these animated colors fell out of faddy afterwards World War I, and, in the years since, aished beneath coats of white latex, asbestos bank and aluminum siding. Now, a new bearing of Americans is peeking beneath those aluminum and acrylic petticoats, apprehensive what`s underneath. They are acquisitive to restore the houses to their aboriginal celebrity but, like the readers of the annual ”Modern Abode Painting,” they are ”puzzled to apperceive what colors to use.”
What were the aboriginal colors on Victorian homes? Auto yellows and lavenders and pinks, a la Key West and San Francisco? Or chastened bronzes and maroons and slates? Was the stonework corrective or larboard natural? And how does today`s aggressive Victorian homeowner appear to acrylic the shutters and quoins and brackets and sashes in authentic fashion?
”It was an absorbing architectural style,” say Roger W. Moss and Gail
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