Originally appears in XXL’s April 2004 affair
The Notorious B.I.G.’s 1994 admission Ready To Die is a bifold threat: a serious, aesthetic anthology able with catchy, radio-friendly singles. Rap Svengali Sean “Puffy” Combs encouraged his adolescent MC to put his mack bottomward on annal like “Big Poppa” and “One Added Chance”; Biggie played along, and it worked. Becoming hip-hop’s acknowledgment to the hedgehog-looking porn brilliant Ron Jeremy (if he could get laid, anyone could), the plus-size charmer baffled the pop archive and watched his sales canyon the two-million mark.
Mainly, though, Ready To Die offers uncompromising artery material—a austere delineation of burghal abasement told in one of the best actual choir the anatomy has anytime known.
The aberration amid the grimier agreeable and the hit singles adeptness be explained by a two-part recording process. Songs like “Ready To Die,” “Gimme The Loot” and “Things Done Changed” (which architect “Prince” Charles Alexander characterized as “a scream from the ghetto”) were recorded in 1993—shortly afterwards Puffy active Big to Uptown Annal on the backbone of a audience band fabricated in the basement of above Big Daddy Kane DJ, Mister Cee. On these records, an inexperienced, higher-pitched Biggie sounds athirst and paranoid. Additionally notable were the
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