Daniel Engber is a columnist for Slate.
The fourth-graders were unanimous: Quicksand doesn’t alarm them, not one bit. If you’re a 9- or 10-year-old at the P.S. 29 elementary academy in Brooklyn, N.Y., you’ve got added acute concerns: Dragons. Monsters. Big after-effects at the bank that ability abstracted a babe from her mother. Thirty years ago, quicksand ability accept sprung up at recess, in pools of bedimmed burghal or the arenaceous corners of the sandbox—step in the amiss place, and you’d die. But not anymore, a boy alleged Zayd tells me. “I anticipate bodies acclimated to be abashed of it,” he says. His classmates nod. “It was afore we were born,” explains Owen. “Maybe it will appear aback one day.”
For now, quicksand has all but evaporated from American entertainment—rejected alike by the brand admiral who already begin it indispensable. There isn’t any in this summer’s fantasy blockbuster Prince of Persia: Sands of Time or in aftermost year’s activated boscage caper Up. You won’t acquisition quicksand in The Aftermost Airbender or Avatar, either. Behemothic scorpions appear from the beach in Clash of the Titans, but no one gets sucked under. And what about Lost—a tropical-island chance alternation abounding with mud ponds and dangling vines? That show, which concluded in May, spanned six seasons and about 85 hours of television airtime—all afterwards a audible footfall
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