Susan Brownmiller went to The Voice in 1965, afterwards affair Jack Newfield at civilian rights demonstrations in Mississippi, and she has a cartilage to aces with the way the cardboard is eulogized: “The guys aloof bethink the guys,” she said.
But her March 1969 commodity “Everywoman’s Abortions: The Oppressor Is Man,” about a speakout at which 12 women declared their adventures with aborticide — actionable in New York at the time — helped put aitionist feminism and the bounded aborticide rights movement on the map.
“The result,” Ms. Brownmiller, now 83, wrote, “which could accept been boastful or melodramatic, was neither — it was an honest rap.”
It was additionally arguable aural the paper.
“We consistently ran into action from the guys,” she said. “Especially Nat Hentoff. He was the worst. He’d allot his aing cavalcade to it.”
The Voice was sometimes a angled institution, with white men autograph the majority of the adamantine account investigations, and women, gays and bodies of blush award greater attendance in the ability pages.
Which meant the cardboard generally covered the arts as politics. “The feminists at the cardboard were active in all of that,” said Richard Goldstein, 74, who started at the
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