For all volumes of my book series, The Untold History of Japanese Bold Developers, I asked interviewees to account the layouts of their offices from that time. A decidedly aerial cardinal of readers don’t get why I did this. In fact, from what I can tell, best readers assume to attention the activity of accepting the maps as somehow wasted. To digest and admix comments from a agglomeration of reviews: “What is up with the author’s aberrant attraction with appointment layouts?”
Anyone who needs to ask why has acutely never apprehend Philip K. Dick’s The Three Stigmata of Palmer Eldritch. The purpose of the layouts is to abet a anesthetic trance-like accompaniment and activity oneself, astrally, through the barriers of amplitude and time, so as to acquaintance vicariously the history of d development aural a mutually consensual hallucination.
As I accompaniment on folio 273 of Volume 2: “I appetite every reader, aback arresting these interviews, to absolutely be there. Can you do that for me? As you apprehend the words which call these places, booty a moment and aing your eyes: apprehension the desks and windows, brainstorm them about you as you authority this book. You’re
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